Summer is in the hot air of San Fernando Valley and Los Angeles area. And I'm ready to dive into the attractive Californian pools. But before that, I want to share the paintings of Carrie Graber, who combines perfectly my two favorite themes: Mid-century architecture and summer.
The main point, even for me is the pool, is the slender white twenty somethings females lounging in and around swimming pools at such iconic mid-century modern homes as The Kaufmann House, Donald Wexler Homes, The Frey House, The Edris House and The Sinatra House.
Carrie had the pleasure of growing up in Southern California, hot summers and warm glowing colors forever romanticized their way into her work. She is a master genre painter of the Southern California contemporary school, whose depictions of light place her in the line of the Luminists. Graber is also in the line of The Hudson River School – 19th-century and early 20th-century painters from the Northeast and Midwest, whose paintings are grounded in capturing the light effects of the sun and nature in dramatic landscapes. Though this movement specialized in anything but genre pictures, Graber mixes this 19th-century fascination with light with her own Pop iconography in the tradition of post-Modern hybridizing. Indeed, the light of SoCal is so different than that of other regions, Graber does a service to the Luminist and Hudson River traditions, with her golden-white light of the skies there, executed so faithfully and fluidly. To top it off, her renditions of the world-famous Southern California lifestyle, as Pop art, are gemlike, sexy, and exacting.
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